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So it wasn’t like we were doing something easy, we were just doing stuff that was comfortable, which we already knew how to do. When you go to the toolbox of stuff that you know is going to work, you only need five minutes.
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Big, it was always like, “Okay, we’ve got five minutes” and we’d just throw it together. With Racer X, we would rehearse for months and really be meticulous about all of that stuff. We thought, wouldn’t it be amazing with harmony? I think a lot of that sort of thing or the shreddy stuff that we would do was put together so quickly, which always surprised me. You know, I’d been doing that once in a while and we rustled up another one for Billy. How early did the drill come into the picture for “Daddy, Brother, Lover, Little Boy (The Electric Drill Song)”? The sounds were good and the planets aligned for us. “Alive and Kickin’,” even though it was bluesy, it still had harmonies. You know, “Daddy, Brother, Lover, Little Boy (The Electric Drill Song)” had a good energy to it.
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We’re in major keys, so that was a big difference. To me, those three and maybe, “ CDFF-Lucky This Time,” were really melodic. He had “ Just Take My Heart” and “ To Be With You.” I came up with “ Green Tinted Sixties Mind.” It’s still fine if it’s got bluesy style, but let’s make sure the songs themselves have stronger melodies. It was like, let’s get some melody in there. We’d go out there and have this great audience in front of us and we’d just do okay. Somehow, that’s what I took away from the experience. I just remember feeling like we would have gotten a better reaction if our songs were more melodic. We got some really good tours and we did a lot of touring with Rush. What was the scene as you all were looking at recording this album, your sophomore release? Lean Into It ends up being such a massive album for Mr.
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Here are some excerpts from our conversation, which you can watch in full on the UCR YouTube channel. He recently spoke with UCR via Zoom - with his guitar in hand and plugged in - to talk about the new release as well as the band's landmark 'Lean Into It' album, three decades later. Gilbert is celebrating the spirit of the season with 'TWAS, his new holiday release that mixes both originals and standards in an inventive fashion. Big remains uncertain following the 2018 passing of drummer Pat Torpey from complications of Parkinson's Disease, the remaining members continue to push forward with their own work. The track follows other recent joint projects the award-winning megastar has worked on, including Post Malone’s “One Right Now”, Swedish House Mafia’s “Moth To A Flame” and Rosalía’s “La Fama”.The band flourished both collectively and individually, with Gilbert continuing to enjoy guitar hero levels of respect from both musicians and music fans alike. Meanwhile, The Weeknd has also shared another new collaboration this week, this time teaming up with FKA Twigs on “Tears In The Club”. I wanted her adoring fans to get a special gift before the holidays and felt it was the perfect time to release a never-before-heard offering.”Įarlier this year, Aaliyah’s back catalog was released on streaming services for the first time as part of a new partnership with the label EMPIRE.
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In a press release, Barry Hankerson, founder of Blackground Records, said: “I’m so excited to share this new song by Aaliyah and the very talented The Weeknd. The Weeknd responds with his thoughts on the chorus, singing: “ You’re so cold, I can see your breath, I swear/They told me not to fall in love/Wondering where it all went wrong/You were my poison all along.”